BIBLIOGRAFIE

BRON

PARKER Alan, STIGWOOD Robert, VAJNA Andrew (Producers), PARKER Alan (regisseur), Evita, Cinergi Pictures, 1996, 134 min. [Film]

OVER FILM EN GESCHIEDENIS:

ALLEN Robert C. en GOMERY Douglas, Film History and Practice, Alfred A. Knopf, New York, 1985.

ATTREED Lorraine, POWERS James F., “Lessons in the dark: teaching the Middel Ages with film”, Perspectives, XXXV, 1997, 1, pp 11-16.

BELTON John, «Technology and Aesthetics of Film Sound»,in: Film Theory and Criticism, Introductory Readings, Oxford University Press, New York/Oxford, 1992.

BOBERACH Heinz, Meldungen aus dem Reich, Berlin, 1965

BODNAR John, «Saving Private Ryan and Postwar Memory in America», American Historical Review, CVI, 2001, 3, pp 805-818.

BOSMA Peter, Filmkunde, een inleiding, SUN/Ou, Nijmegen, 1991.

BRILEY Ron, «Reel history: U.S. History, 1932-1972, as viewed through the lens of Hollywood», History Teacher, XXIII, 1990, 1, pp 215-236.

CARNES Mark, “Hollywood History”, American Heritage, XLVI, 1995, 5, pp 74-80.

CARNES Mark, Past Imperfect: History According to the Movies, New York: Henry Holt and company, 1995.

COOK David, A History of Narrative Film, Norton, New York, 1996.

COPPENS Freddy, «De Visie van de Regisseur». in: DE MAESSCALCK E., Geschiedenis op Televisie, Acco: Leuven, 1988 (Dossiers Geschiedenis nr 14), pp 101-117.

DARNTON Robert, Danton in: CARNES Marc, Past Imperfect: History According to the Movies, New York: Henry Holt and company, 1995, pp 104-108.

DAVIS Natalie Zemon, De terugkeer van Martin Guerre: historische reconstructie van een legende 1548-1560, Amsterdam: Elsevier, 1985.

FERRO Marc, Cinema et histoire, Gallimard, Paris, 1993.

FLEDELIUS Karsten, «Fields and Strategies of Historical Film Analysis», in: FLEDELIUS Karsten, SHORT K.R.M., History and Film: Methodology, Research, Education, IMAHIST, Copenhagen, 1980, (Studies in History, Film and Society 2), pp 53-80.

FLEDELIUS Karsten, SHORT K.R.M., History and Film: Methodology, Research, Education, IMAHIST, Copenhagen, 1980, 294p. (Studies in History, Film and Society 2)

FRASER Antonia, “Anne of the thousand days”, in: CARNES Mark, Past Imperfect: History According to the Movies, New York: Henry Holt and company, 1995, pp 66-69.

ELEY Geoff, «Finding the People’s War: Film, British Collective Memory, and World War II», American Historical Review, CVI, 2001, 3, pp 818-839.

GIANETTI Louis, Understanding Movies, New Jersey, Prentice Hall, 1999.

GRENIER Richard, In the name of the IRA, in: ROSENTHAL Alan, Why docudrama? Fact-fiction on film and TV, Southern Illinois University Press, 1999, pp 316-323.

HESLING Willem, «Het Verleden als Verhaal, De narratieve structuur van historische films», Communicatie, XXIX, 2000, 1, pp 2- 20.

JONKER Ed, «Misbruik van de geschiedenis? Het historische gehalte van de nieuwe media», Tijdschrift voor mediageschiedenis, I, 1998, 1, pp 93-101.

LEUCHTENBURG William E., All the president’s men, in CARNES Mark, Past Imperfect: History According to the Movies, New York: Henry Holt and company, 1995, pp 292-295.

LIPKIN Steve, Defining Docudrama: In the name of the father, Schindler’s List and JFK, in: ROSENTHAL Alan, Why docudrama? Fact-fiction on film and TV, Southern Illinois University Press, 1999, pp 370-383.

LUMET Sidney, Making Movies, New York, Random House, 1995.

MANCHEL Frank, “A Reel Witness: Steven Spielberg’s representation of the Holocaust in Schindler’s List”, The Journal of Modern History, LXVII, 1995, 67, pp 83-100.

NIEUWENHOF Frans, «On the Method of Filmanalysis», in: FLEDELIUS Karsten, SHORT K.R.M., History and Film: Methodology, Research, Education, IMAHIST, Copenhagen, 1980, (Studies in History, Film and Society 2), p 33-38.

O’BRIEN Conor Cruise, Patriot Games, in: ROSENTHAL Alan, Why docudrama? Fact-fiction on film and TV, Southern Illinois University Press, 1999, pp 311-315.

O’CONNOR John E. (ed.), American History/American Film: Interpreting the Hollywood Image, New York: Ungar, 1979.

O’CONNOR John E., Teaching history with film and television. Discussions on teaching n° 2, Washington DC: American Historical Association, 1987.

O’CONNOR John E., “History in images/images in history: reflections on the importance of film and television study for an understanding of the past”, American Historical Review, XCIII, 1988, 5, pp 1200-1209.

O'CONNOR John E. (ed.), Image as artifact : the historical analysis of film and television, Malabar, Robert E. Krieger Publishing Cie, 1990.

PETERS J.M., “A model for Analyzing Audio-visual Messages, in: FLEDELIUS Karsten, SHORT K.R.M., History and Film: Methodology, Research, Education, IMAHIST, Copenhagen, 1980, (Studies in History, Film and Society 2), pp 39-52.

REBHORN Marlette, Hollywood film as a teaching tool, ERIC Document Reproduction Service n° ED 286 815.

ROQUEMORE Joseph H., History goes to the movies: A viewer’s guide to the best (and some of the worst) hisorical films ever made, New York: Doubleday, 1999.

ROSENSTONE Robert A., Visions of the Past. The Challenge of Film to our Idea of History, Massachusetts, Harvard University Press, 1996.

ROSENSTONE Robert A., JFK: Historical Fact/Historical Film, in: ROSENTHAL Alan, Why docudrama? Fact-fiction on film and TV, Southern Illinois University Press, 1999, pp 331-339.

ROSENTHAL Alan (ed.), Why docudrama? Fact-fiction on film and TV, Southern Illinois University Press, 1999.

SEARLES Baird, Epic! History on the big screen, New York: Harry M. Abrams, 1990.

SIMONS John D., Literature and film in the historical dimension, Gainesville, University of Florida Press, 1990.

SMITH Paul, The Historian and Film, Cambridge UP, London/New York, 1976

SORLIN Pierre, Sociologie du Cinema, Ouverture pour l’histoire de demain, Aubier Montaigne, Paris, 1977.

SORLIN Pierre, The Film in History: Restaging the Past, Blackwell Oxford, 1980.

SPRAU Ryan, KEIG Larry, “I saw it in the movies: suggestions for incorporating film and experiential learning in the college history survey course”, College Student Journal, XXXV, 2001, 1, pp 101-113.

STANSELL Christine, “Reds”, in: CARNES Mark, Past Imperfect: History According to the Movies, New York: Henry Holt and company, 1995, pp 192-195.

TOPLIN Robert, “Cinematic History: a Defense of Hollywood”, National Forum, LXXXI, 2001, 2, pp 10-15.

TOPLIN Robert, History by Hollywood: The use and abuse of the American past, Urbana-Chicago: University of Illinois Press, 1996.

VAN VREE Frank, «Huilen om de verkeerde redenen. Dramatisering en romantisering in historische films», Spiegel Hisoriael, XXXV, 2000, 35, pp 138-143.

VAN VREE Frank, “Visualisering van het Verleden”, Spiegel Hisoriael, XXXV, 2000, 35, pp, 108-113.

VOS Chris, “Film als Historische Bron. Vijf stellingen over evenzovele misverstanden”, Spiegel Historiael, XXXV, 2000, 35, pp 118-125.

VOS Chris Het verleden in bewegend beeld. een inleiding in analyse van audiovisueel materiaal, De Haan/Unieboek, Houten, 1991.

WHITE Richard, The Last of the Mohicans, in: CARNES Mark, Past Imperfect: History According to the Movies, New York: Henry Holt and company, 1995, pp 82-85.

WINTER Jay, «Film and the Matrix of Memory», American Historical Review, CVI, 2001, 3, pp 857-865.

X, «Film the Legend», Economist, CCCXXXVII, 1995, 7938, p 104.

OVER ARGENTINIË, EVA PERON EN ‘EVITA’

ALEXANDER Robert J, Juan Domingo Perón: a history, Boulder Col.: Westview Press, 1979.

ALEXANDER Robert J, The Perón Era, New York: Columbia University Press, 1951.

BLANKSTEN George, Perón's Argentina, New York: Russel and Russel, 1953.

BARNES John, Evita, first lady: a biography of Eva Perón, New York: Grove Press, 1978.

CORRADI Juan Eugenio, El Milenio de los pueblos: the legacy of Juan and Evita Perón, Washington, 1996.

CRASWELLER Robert, Perón and the enigmas of Argentina, New York, 1987.

DE ELIA Tomás, QUIEROZ Juan Pablo, Evita. An Intimate Portrait of Eva Perón, London, Thames and Hudson Ltd, 1997.

FALCOFF Mark, «Orange juice with General Perón: a memoir», American Scholar, LXII, 1993, 3, pp. 383-402.

FALCOFF Mark, “Peron’s nazi ties”, Time Magazine, CLII, 1998, 19, pp 20-24.

FOSS Clive, «Selling a dictatorship: Propaganda and the Peróns», History Today (GB), L, 2000, 3, pp. 8-14.

FRASER Nicolas en NAVARRO Marysa, Eva Perón, Amsterdam: Uitgeverij Prometheus, 1996.

GOÑI Uki, Perón y los alemanes, Editorial Sudamericana: Buenos Aires, 1997

GUEVARA Ernesto Che, Op de motor door Latijns Amerika, 1994, Amsterdam,

HILL Douglas, «Saint Evita?», Biography, I, 1997, 1, pp 62-68.

HOWARD Matthew, «Crying for Argentina», Nation, CCLXIII, 1996, 13, pp 50-53.

HORVATH Lazlo, Peronism and the three Peróns: a checklist of material on peronism and on Juan Domingo, Eva and Isabel Perón and their writings in the Hoover Institution Library and archives and in the Stanford University, Stanford University Press, 1988.

KRAUZE Enrique, «The Blonde Leading the Blind», New Republic, CCXVI, 1997, 6, pp 31-38.

MAIN Mary (María Flores), The woman with the whip: Eva Perón, New York, 1952.

MARTINEZ Thomas Eloy, The Perón novel, New York: Vintage Books, 1998.

MARTINEZ Tomás Eloy, Santa Evita, Amsterdam: Anthos, 1996.

MERCIER VEGA Luis, Autopsie de Perón: le bilan du péronisme, Gembloux: Duculot, 1974.

METZ Allan, “Reluctant partners: Juan Perón and the jews of Argentina, 1946-1955”, Judaism, XLI, 1992, 4, pp 378-395.

MONTGOMERY Paul, Eva, Evita: the life and death of Eva Perón, New York, 1979.

NAIPAUL V.S., The return of Eva Perón, Alfred A. Knopf, New York, 1980, 227p.

NEWTON Ronald, The “Nazi” Menace in Argentina, 1931-1947, Stanford, CA: Stanford University Press, 1992.

ORTIZ Alicia Dujovne, De Madonna van de armen: Eva Perón, Amsterdam: Vassallucci, 1997.

PAGE Joseph, Perón: a biography, New York: Random House, 1983.

PARKER Alan, The Making of Evita, New York Collins Publisjhers, 1996.

PAVLOV-SHAPIRO Anya, Eva Perón. Fact vs. Fiction, internet, 1999. (http://cityhonors.buffalo.k12.ny.us)

PERÓN Eva, La Razon de mi Vida, Buenos Aires, 1952.

PERON Eva, In mijn eigen woorden: Evita, Naarden: Element, 1996.

PERON Juan Domingo, Del poder al exilio, Buenos Aires, s.d.

PERON Juan Domingo, Yo, Juan Domingo Perón, Barcelona, 1976.

POSSE Abel, De passie volgens Eva, Amsterdam: Meulenhoff, 1994.

REINER Silvan, Eva Perón, Paris, 1960.

ROUCQUIÉ Alain, Pouvoir militaire et société politique en république Argentine, Paris, 1978.

SACQUARD DE BELLE ROCHE Maud, Eva Perón, la reine de sans chemises, Paris, 1972.

SONNTAG Gabrielle, Eva Perón books, articles and other sources of study: an annotated bibliography, Madison, 1983.

TAYLOR Julie, Eva Perón: the myths of a woman, Chicago: University of Chicago Press, 1979.

VOGEL H. Ph., De geschiedenis van Latijns-Amerika¸ Utrecht: Spectrum, 1988.

WALSH Michael, «Oh, What a Circus.» In: Id., Andrew Lloyd Webber his life and works, New York: Abrams, 1989, pp 96-108.

X, «Evita or Madonna: whom will history remember?», New Perspectives Quarterly, XIV, 1997, 1, pp 32-33.

DS, 2.07.1947/3

X, “Franco noemt Mevr. Perón het hart van Argentinië” , DS, 10.07.1947/3

DS, 16.07.1947/3.

X, “Receptie in het huis van Latijns Amerika”, DS, 23.07.1947/3.

X, “lunch bij Vincent Auriol”, DS, 24.07.1947/3.

X, “Mevrouw Perón door tomaat bekogeld”, DS, 6.08.1947/3.

X, “Mevrouw Perón te Luzern met stenen bekogeld”, DS, 7.08.1947/3.

X, “Mevrouw Perón gaat naar huis”, DS, 8.08.1947/.

X, “Eva Perón overleden”, DS, 28.7.1952/1 (U.P.)

X, “Mevr. Perón in Vaticaanstad”, HLN, 3.07.197/3

X, “Mevr. Perón te Parijs”, HLN, 25.07.1947/3.

X, “Mevrouw Perón niet naar Engeland”, HLN, 22.07.1947/5.

X, “Mevrouw Perón keert naar Argentinië terug”, HLN, 9.08.1947/5.

X, “Frans-Argentijns handelsverdrag te Parijs ondertekend”, VG, 25.07.1947/5.

X, “Mevrouw Perron met tomaten en stenen bekogeld te Bern.”, VG, 6.08.1947/3. [sic]

X, “Mevrouw Perón denkt aan de terugkeer”, VG, 8.08.1947/5.

AUDIOVISUEEL EN INTERNET

Evita, the story of Eva Perón (Rick Beeman, 1997, docu);

Evita, der Schweizer Reise (Frank Garbely, 1998, docu ARTE).

http://www.brittannica .com

http://www.cs.rpi.edu/~kennyz/madonna_lyrics/evita1.html

http://www.evaperon.itgo.com

http://www.rose-hulman.edu/~delacova/peron.html

http://cityhonors.buffalo.k12.ny.us

http://ukinet.com/peron/english/index.html

http://us.imdb.com

http://utenti.lycos.it/videostill/eng.html