Geen snelheidslimiet op de lost highway. De cinema van David Lynch vanaf 1990. (Michel Baeten)

 

home lijst scripties inhoud vorige volgende  

 

Referenties.

 

Abrams, N., Bell, I. & Udris, J. (2001). Studying Film. Londen: Arnold

 

Baudrillard, J. (1988). Simulacra and Simulations. In Poster, M. (red.), Jean Baudrillard : Selected Writings (pp. 166 – 184). Blackwell: Polity Press.

 

Berardinelli, J. (1997). Lost Highway [www].

http://movie-reviews.colossus.net/movies/l/lost_highway.html.

 

Berthomieu, P. & Lauliac, C. (2001). Music in a world of sounds… David Lynch par Angelo Badalamenti. Positif, nr. 490, pp. 89-92.

 

Bibault, J.-E. (2001). Site français sur Stanley Kubrick [www].

http://membres.lycos.fr/stanleykubrick/home.htm.

 

Bordwell, D. & Thompson, K. (2001). Film Art. An Introduction. New York: McGraw-Hill.

 

Bosma, P. (1994). Filmkunde. Een inleiding. Nijmegen: SUN.

 

Brill, O. & Schultke, T. (09.05.2002). Filmgeschichte [www]. http://www.filmgeschichte.de/films/cabinet_caligari.htm.

 

Chion, M. (2001). Mulholland Drive. Play it for real. Positif, nr. 490, pp. 80-82

 

Cohen, M. & Mast, G. (1974). Film theory and criticism. New York: Oxford University Press.

 

De Putter, J. (1990). Spelen Met Vuur. De ‘pyrotechniek’ van David Lynch. Skrien, nr. 175, pp. 4-8.

 

Dequina, M. (20.09.2001). Mulholland Dr./David Lynch [www]. http://shagpro.com/mrbrown/mulholland-david.html.

 

Dundas, A. (11.09.1998) David Lynch’s Various Projects [www]. http://www.cenedra.com/lynchworks3.htm.

 

Eco, U. (1998). Faith in Fakes. Londen: Vintage.

 

Eekhof, R. & Visschedijk, R. (1983). Dageraad van een nieuwe cinema. De geboorte van de Nouvelle Vague. Amsterdam: Cinemathemareeks.

 

Frank, E. (1983). Pollock. New York: Abbeville Press.

 

Frost M. & Lynch D. (2002). Twin Peaks: The First Season [DVD]. Paramount Pictures.

 

Garisson, J. (1999). The Smoking Gun. Chapter 20--The Good Witch [www].

http://www.smartfellowspress.com/smokinggun/smokinggun2/Good.html.

Garrone, M., Klein, A. & Wyman, B. (23.10.2001). Everything you were afraid to ask about Mulholland Drive [www]. http://dir.salon.com/ent/movies/feature/2001/10/23/mulholland_drive_analysis/index. html.

 

Gill, A. (27.01.1996). Twin Peaks FAQ 2.3 [www]. http://www.users.zetnet.co.uk/agill/tp/tpfaq.txt.

 

Guillet, F. (2001). His dark universe – L’univers de David Lynch [www]. http://www.aboutlynch.com.

 

Hartmann, M. (25.01.2002). The City of Absurdity [www].

http://www.geocities.com/ Hollywood/2093/index.html.

 

Hassan, I. (2000). From Postmodernism to Postmodernity : the Local/Global Context [www]. http://www.ihabhassan.com/postmodernism_to_postmodernity.htm.

 

Henry, M. (1997). Le ruban de Moebius. Entretien avec David Lynch. Positif, nr. 431, pp. 8-13.

 

Henry, M. (2001). Désirer l’idée. Positif, nr. 490, pp. 83-86.

 

Heydebreck, H. (02.11.2002). The Universe of David Lynch [www]. http://www.davidlynch.de.

 

Higuinen, E. (1999). Poursuivre le chemin. Cahiers de Cinéma, nr. 540, pp. 75-76.

 

Hinson, H. (1984). Dreamscapes. American Film, vol. X, (nr. 3), pp. 47-49.

 

Hogenbirk, K. (1999). Terugkijken vanuit de hemel. Skrien, nr.239, pp. 16-18.

 

Hughes, D. (2001). the complete Lynch. Londen: Virgin Publishing Ltd.

 

Humphries, R. (1999). Writing on film : practical propositions. In Bignell, J. (red.), Writing and Cinema (pp. 211 – 223). New York: Pearson Education Inc.

 

James, N. (12.11.2002). Modern Times [www]. http://www.bfi.org.uk/sightandsound/2002_12/feature01_modern_times.html

 

Jameson, F. (1991). Postmodernism or the cultural logic of late capitalism. Londen:

Verso.

 

Jameson, F. (1998). The Cultural Turn: Selected Writings on the Postmodern 1983-1998. Londen: Verso.

 

Keunen, G. (1991). Popmuziek en Postmoderniteit: een verkennend onderzoek naar de veranderde plaats van popmuziek in het culturele veld [licentiaatsthesis]. Leuven: K.U.L. Faculteit Sociale Wetenschappen, Departement Sociologie.

 

Koetsenruijter, B. (1990). Een reukloze beerput. Skrien, nr. 175, pp. 9-11.

Le Blanc, M. & Odell, C. (2000). The Pocket Essential David Lynch. Harpenden: Pocket Essentials.

 

Martig, C. (1999). Entdeckungsreisen. Die (Alb-)Traumlandschaften des David Lynch. Filmdienst, vol. LII (nr. 24), pp. 6-8.

 

Masters, K. (23.12.1996). World of Frida Kahlo [www]. http://members.aol.com/fridanet/kahlo.htm.

 

McCormick, C. (1990). (Why) Is David Lynch Important? A Parkett Inquiry [www]. http://www.davidlynch.de/par.html.

 

Moncur, M. (1994). The Quotations Page [www]. http://www.quotationspage.com.

 

Nayar, D., Sternberg, T. & Sweeney, M. (Prod.), Lynch D. (Reg.) (2000). Lost Highway [DVD], A-Video Home Entertainment/Cinéart. Special Features, cast & crew.

 

Needham, C. (2002). The Internet Movie Database [www]. http://www.imdb.com.

 

Nochimson, M. P. (1997). The Passion of David Lynch – Wild At Heart in Hollywood. Austin : University of Texas Press.

 

Padgett J. B. (08.08.2002) The Mississippi Writers Page [www]. http://www.olemiss.edu/mwp/dir/williams_tenessee/index.html.

 

Pearson, M. (1997). Authorship and the Films of David Lynch [www]. http://www.britishfilm.org.uk/lynch/index.html.

 

Peck, A. (1992). L’aube malade du cinema. Sur David Lynch et David Cronenberg. Positif, nr. 371, pp.56-58.

 

Provaas, G. (1997). Psychotische fuga. Skrien, nr. 213, pp. 14-15.

 

Rodley, C. (1997). Lynch on Lynch. Londen: Faber and Faber.

 

Rouyer, P. (1997). Lost Highway. Dick Laurent est mort! Positif, nr. 431, pp. 6-7.

 

Rouyer, P. (2001). Une histoire vraie. Vraiment lynchien. Positif, nr. 490, pp. 102-104.

 

Ruch, A. (23.04.2002). “No hay banda.” A Long, Strange Trip Down David Lynch’s Mulholland Drive [www]. http://www.themodernword.com/mulholland_drive.html.

 

Sarris, A. (1973). The primal screen. Essays on film and related subjects. New York : Simon & Schuster.

 

Scheib, R. (1990). Raggedy Man [www]. http://members.fortunecity.com/roogulator/ horror/ raggedyman.htm.

 

Scully, M. (Prod.) en Kamerman, J. (Reg.). (01.03.2003). The Simpsons : Homer The Moe [TV-uitzending]. VT4.

 

Seberechts, K. (1999). David Lynch en de dingen die voorbijgaan. Film en Televisie, nr. 497, pp. 4-5.

 

Sell, O. (05.06.2000). Gravity’s Rainbow und The Wizard of Oz: zur Geschichte eines Zitats [www]. http://www.ottosell.de/pynchon/oz.htm.

 

Simon, B. (1999). A Beautiful Mind. Filmmaker David Lynch talks about the wonderful mystery of ideas [www]. http://www.ent-today.com/lynch-feature.htm.

 

Stam, R. (2000). Film Theory. An introduction. Oxford: Blackwell Publishers.

 

Tee, E. (1997). Opgesloten in duisternis. Skrien, nr. 213, pp. 12-14.

 

Tibo (28.06.2000). David Lynch [www].

http://www.actustar.com/biograpies/lynchdavid.html.

 

Van Der Vloedt, J. (1993). David Lynch’s “Twin Peaks”. Analyse van een postmoderne soap opera [licentiaatsthesis]. Leuven: K.U.L. Faculteit Sociale Wetenschappen, Departement Communicatiewetenschap.

 

Varlet, O. (2001). David Lynch. L’étrange voyage. Jeune Cinéma, nr. 270, pp. 4-12.

 

Viviani, C. (2001). These-are-the-girls. Positif, nr. 490, pp. 93-95.

 

Wallace, D. F. (09.1996). David Lynch keeps his head [www]. http://premieremag.radicalmedia.com/featpres/Sep_96/lynch.

 

Wardle, M. (marcwardle@yahoo.com). Definitions of Postmodernism [Email aan discussieforum Communication Studies California State University].

 

Warner, M. (1997). Voodoo Road. Sight & Sound, vol. VII (nr. 8), pp. 6-10.

 

Wollen, P. (1969a). Study Guide N°9: Orson Welles. Londen: BFI Education Department.

 

Wollen, P. (1969b). Signs and Meaning in the Cinema. Londen: Secker & Warburg.

 

X. (25.09.1997). The Black Lodge [www]. The 4th Dimension: http://www.angelfire.com/id/BlackLodge.

 

X. (21.10.2002). The Sight and Sound Top Ten Poll 2002 [www]. British Film

Institute : http://www.bfi.org.uk/sightandsound/topten.

 

home lijst scripties inhoud vorige volgende